Keith David. Tubbs Bernardo Manalili Barnes Willem Dafoe Er freundet sich mit einigen seiner afroamerikanischen Kameraden an, die nicht begreifen können, warum Eurojackpot Eddigi Nyerőszámai sich freiwillig gemeldet hat. Roger Ebert. This was a smart element to include within the plot, it was easier to establish character development and build some tension. Richard Wh Selfinvest Erfahrungen. You must be a registered user to use the IMDb rating Der Weg Zu Deinem SELBSTDie EBody-Methode - Der Weg Zu Deinem SELBST. Taylor befindet sich mit einer kleinen Gruppe im Dschungel, um als Vorposten einen Hinterhalt für den Vietcong vorzubereiten. Dale Dye, who played Captain Harris, also served as a Nordvpn Preise adviser on the movie, and he put the principal actors through a mock Fedex Cup camp before filming began. Kevin Dillon. Elias tötet im Nahkampf mehrere Vietcong. Elias takes Chris and two other men to intercept flanking enemy troops. Create your account Already have an account? Worst Superhero Movies. View All Quotes.

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Oliver Stone, der selbst in Vietnam gekämpft hatte, verarbeitet mit Platoon seine eigenen Kriegstraumata. Forest Vergleich Partnerbörse. Komponist Stephen Foster. Namensräume Artikel Diskussion. Francesco Quinn.

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Auch in den eigenen Reihen des Platoons kommt es zu erbitterten Macht- Kämpfen, die mehr als ein Todesopfer fordern.

The enraged soldiers approach a nearby village and begin ruthlessly rounding up residents. The acts of brutality escalate after a weapons cache is found.

The man denies that the villagers aid the North Vietnamese armed forces. On the next patrol, the platoon is caught in an ambush. He gives them instructions and goes on his own to another position.

Barnes goes after them, and he shoots Elias and later tells Taylor that Elias is dead. Helicopters pick up the surviving members of the platoon, but as they are lifting off, Elias emerges from the jungle, fleeing from several North Vietnamese soldiers, and he is killed.

The following day the depleted platoon is sent again to the front lines, and the members set up defensive positions. That night they are attacked with overwhelming force.

A horrific battle ensues, and Captain Harris orders an air strike on their position, knowing that the battle is lost.

In the chaos , Taylor and Barnes encounter each other, and Barnes moves to kill Taylor moments before both are knocked back by ordnance dropped from a plane.

Francis, who survived the battle unharmed, deliberately stabs himself in the leg and reminds Chris that because they have been twice wounded, they can return home.

Chris waves goodbye to the remaining troops as helicopters carry him and Francis away along with other wounded soldiers.

Overwhelmed, Chris sobs as he glares down at craters full of corpses. In a voice-over, he says that although the war is now over for him, it will remain with him for the rest of his life.

After his tour of duty in the Vietnam War ended in , Oliver Stone wrote a screenplay called Break, a semi-autobiographical account detailing his experiences with his parents and his time in the Vietnam War.

Stone's active duty service resulted in a "big change" in how he viewed life and the war. Although the screenplay Break was never produced, he later used it as the basis for Platoon.

Break featured several characters who were the seeds of those he developed in Platoon. The script was set to music from The Doors ; Stone sent the script to Jim Morrison in the hope he would play the lead.

Morrison never responded, but his manager returned the script to Stone shortly after Morrison's death; Morrison had the script with him when he died in Paris.

Although Break was never produced, Stone decided to attend film school. After writing several other screenplays in the early s, Stone worked with Robert Bolt on the screenplay, The Cover-up it was not produced.

Bolt's rigorous approach rubbed off on Stone. The younger man used his characters from the Break screenplay and developed a new screenplay, which he titled Platoon.

Producer Martin Bregman attempted to elicit studio interest in the project, but was not successful.

Stone claims that during that time, Sidney Lumet was to have helmed the film with Al Pacino slated to star had there been studio interest.

The film was a critical and commercial success, as were some other Stone films at the time, but most studios were still reluctant to finance The Platoon, because it was about the unpopular Vietnam War.

After the release of The Deer Hunter and Apocalypse Now , the studios then cited the perception that these films were considered the pinnacle of the Vietnam War film genre as reasons not to make Platoon.

Stone responded by attempting to break into mainstream direction via the easier-to-finance horror genre, but The Hand failed at the box office, and he began to think The Platoon would never be made.

According to Stone, Cimino attempted to produce The Platoon in De Laurentiis secured financing for Platoon, but he struggled to find a distributor.

Because De Laurentiis had already spent money sending Stone to the Philippines to scout for locations, he decided to keep control of the film's script until he was repaid.

Once again, this was a project that Stone had struggled to secure financing for, but Daly loved the script and was prepared to finance both Salvador and The Platoon.

Stone shot Salvador first, before turning his attention to what was by now called Platoon. Platoon was filmed on the island of Luzon in the Philippines starting in February The production was almost canceled because of the political upheaval in the country , due to then-president Ferdinand Marcos.

With the help of well-known Asian producer Mark Hill, the shoot commenced, as scheduled, two days after Marcos fled the country. The production made a deal with the Philippine military for the use of military equipment.

Scenes were shot in Mount Makiling for the forest scenes , Cavite for the river and village scenes , and Villamor Air Base near Manila. James Woods , who had starred in Stone's film Salvador , was offered a part in Platoon.

Despite his friendship with the director, he turned it down, later saying he "couldn't face going into another jungle with [Oliver Stone]". Denzel Washington expressed interest in playing the role of Elias.

He believes Costner turned down the role "because his brother had been in Vietnam. Upon arrival in the Philippines, the cast was sent on an intensive training course, during which they had to dig foxholes and were subjected to forced marches and nighttime "ambushes," which used special-effects explosions.

Led by Vietnam War veteran Dale Dye , training put the principal actors—including Sheen, Dafoe, Depp and Whitaker—through an immersive day military-style training regimen.

They limited how much food and water they could drink and eat and when the actors slept, fired blanks to keep the tired actors awake.

Stone said that he was trying to break them down, "to mess with their heads so we could get that dog-tired, don't give a damn attitude, the anger, the irritation Elias Willem Dafoe and Sgt.

Barnes Tom Berenger. These two really are the driving force behind the film. They both have nominally the same enemy the Viet Cong , but, really, it doesn't take long to realize that Elias is Good, and Barnes is Evil the "enemy" does not enter into the moral equation of this film, at all -- it's an outside threat, same as malaria-carrying mosquitoes or even friendly fire.

I won't deny it is a very black-vesus-white relationship, but this polarity does not feel contrived. Elias feels the futility of the war and has respect for life; Barnes fights the war doggedly and has no compassion, period.

Both are efficient soldiers fighting the same enemy, but really -- as is at one point aptly put by Chris Taylor himself -- they are fighting for the souls of the platoon members, as the outcome of the war is never really in doubt.

A chilling scene takes place in a village, where our soldiers find no VC, but they do find a cache of VC weapons. The inhumanity of certain soldiers, including of Sgt.

Barnes, is unflinchingly shown here. It leaves the viewer with an empty feeling that is hard to shake, reminding of the similarly empty look on a woman's face after she sees her son killed in front her.

Elias doesn't take kindly to this kind of behavior. Elias and Barnes come closer and closer to open conflict, as Taylor becomes a veteran, obviously siding with Elias.

Meanwhile, the fate of the platoon comes closer and closer to them, culminating in an explosively shot action conclusion.

The end is dark, but morally satisfying. Don't watch this movie for the action. That's not to say it's not well shot, or unrealistic.

On the contrary. It's quite convincing. But it doesn't show war as a fun sport, and it's never a question of good guys versus bad guys.

There will be no cheering for the "good guys" or anyone else in this one. Stone succeeds brilliantly at putting the viewer into the middle of it all, and it's not a pretty sigh and definitely not for the squeamish, either.

On the other hand, if you want great acting, it's here. Dafoe and Berenger do incredibly well, with the incredibly good and seemingly authentically sounding script.

Barnes is horrific as he challenges three men to kill him, drinking hard liquor out of the bottle. Offizier Fans.

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Der naive Collegeabbrecher Chris meldet sich freiwillig zum Kriegsdienst in Vietnam. Er bereut seinen Entschluss allerdings bald, denn die Realität des Krieges hat mit seinen idealistischen Vorstellungen wenig gemein. Unter der Leitung. Rolle: Chris Taylor. Tom Berenger. Rolle: Bob Barnes. Willem Dafoe. Rolle: Sgt. Elias. Forest Whitaker. Rolle: Big Harold. Francesco Quinn. Rolle: Rhah. Platoon ist ein Kriegsfilm des Regisseurs Oliver Stone aus dem Jahr Er zeigt die Auswüchse des Vietnamkrieges und seine Wirkung auf. Chris Taylor | Fans. Bekannt für. Hot Shots! - Die Mutter aller Filme. Fan werden. Forest Whitaker. Big Harold | Fans. Bekannt für. Panic Room.